As of recently, linquistic diversity influences my work. How people use verbs of perception to communicate informs the multimedia sculptural systems I create. By recontextualizing and fusing common pedestrian objects (cultural capital), the work communicates through visual, auditory, kinesthetic, olfactory, and gustatory means. I believe this is where true diversity lies. These perceptual modalities exist in the work, to elicit a visceral response. This encompassing perceptual response leads to memory and neurological firings in the experience of the work. By doing so, I expect the work will occupy a lingering place in the mind of the observer.